Vijayakanth never bores with his internal formula of annihilating
terrorists from society. Narasimha also has the same theme for its
story.
Director Tirupathisamy has sprinkled necessary masala ingredients
on this theme, tests our patience until the intermission, shows
his capability and acumen in the Cinema scene and has brought out
a typical Vijayakanth starrer modeling it on the line of a Telugu
film.
The style of Vijayakanth is to remove a thorn with another. Being
a Defence Officer launches a mission of wreaking Vengeance on a
group which kidnaps three armymen. In order to achieve this end he
himself becomes a terrorist and plays tit for tat with the three
V.I.Ps who had aided and abetted the terroist kidnappers.
Eventually, he saves the lives of the three soldiers. As he
delivers some emotional dialogues regarding India and Pakistan he
brings the film to a finish.
The first half makes us to think 'Can these things happen? Whether
these things are right?'. It is unacceptable, unimaginable and
inconceivable that Vijayakanth, a responsible army officer plays a
trick in the guise of a terrorist, that too in the company of a
fellow-officer, Raghuvaran. Many policemen lose their precious
lives because of the enactment of these two officers' drama. A
Government building also is destroyed by bombshells. These flights
of imagination are quite indigestible. Such ideas won't generate
even in the mind of Parvez Musharaff.
Throughout the film, Vijayakanth is in a walking spree. He
continues to utter his name in broken parts. It is surprising that
he is attacking Rajinikanth in his dialogues more than issuing
flying kicks on his opponents.
The pretty heroine, Isha Gopikar, has been sparingly used, just as
a piece of pickle. How come she too goes to all places where
Vijayakanth goes? Can such a strange coincidence occur by chances?
What a big dupe! There is an array of Villains like Raghuvaran,
Anandaraj, Nasser, Kassan Khan and Ranjith, the smarter person.
But, with all their awe-inspiring presence, they don't create any
big sensation. They don't have much to contribute.
Cinematography and editing have supported the movie very well. The
lens man, however, might have lent some more richness to the
scenes.
Mention must be made to Mani Sharma's music as far as the songs 'Anjala'
and 'Egiptu rani' are concerned. The Background chanting of 'Simma
Narasimma' masquerades along with Vijayakanth's masculine strides
throughout the film.
Humanitarian concern has been sown so as to take roots even in the
mind of a child, in the climax scene. For this, Director
Tirupathisamy deserves hearty congratulations. But it is fireworks
and the tumult of bombshells and bullets all the way in the film
as if a Deepavali festival is shown. The screenplay also lacks in
clarity. Could they not have shown some humanity towards the
movie-goers also?
What can be done? Quite obviously it is the Tamil fans who are
affected as this Tamil film aims to make it big in the places
where Telugu is spoken.
| Wow... |
Oops... |
- The fighting ability and agility of the 'Captain'.
- The telling, pointed and catchy dialogues.
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- The first half which is devoid of any content.
- Several famous Villains are in the cast list. But
their contribution next be nothing. Much ado about
nothing.
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